If you're a culture buff, you're probably familiar with the Sheets-Goldstein House in Los Angeles. The mansion, designed by John Lautner and home of businessman and fashion/basketball enthusiast James Goldstein, is a classic of modernist architecture and is even more famous for its impressive presence in movies and photographs. became. big lebowski There are also works by legendary figures such as Helmut Newton.
The property is located in the spacious Sheetz Goldstein Estate, which also includes the acclaimed Club James in the adjacent Goldstein Entertainment Complex. In 2016 he bequeathed it to LACMA The wing of this site which forms part of the premises is an annex and its roof is the site of an infinity tennis court.
Sheetz Goldstein Residences: Real Estate
Located in fashionable Beverly Hills, the Sheetz Goldstein Residence was commissioned by the Sheetz family in 1962 by John Lautner and later improved by the architect with current owner James Goldstein (purchased in 1972). Expanded and enhanced during its lifetime, the property is now managed by Kristopher Conner and James Perry of Conner + Perry Architects, who have been overseeing and designing the addition since 2015.
The two worked with Lautner's student and colleague Duncan Nicholson (who continued to work at the store even after Lautner's death in 1994), but after Nicholson's death, they opened the store independently in 2015. I launched it. As a result, they are knowledgeable about real estate buildings and needs.
Goldstein Entertainment Complex: Custom Party Space
Connor and Perry are also involved in the development of a new addition to the property, the Goldstein Entertainment Complex, which will be located below the new tennis courts. The project's origins stem from Lautner's concept for an expansion beneath the mansion that would include a tennis court, a guesthouse, and space for Goldstein's office.
Ultimately, while developing the structure to add a new tennis court, the team realized it could support an elevated space that could include additional programmatic elements without compromising the design of the house itself. I noticed. Meanwhile, Mr. Lautner's original concept can be seen in the wood and cardboard models displayed in his dining area of the house.
The tennis court is located on a portion of the property that was previously a separate property, but was acquired by Goldstein to develop as a sports facility and guest house upon Mr. Lautner's engagement. The Goldstein Entertainment Complex includes a fully functioning nightclub with a VIP room/library, offices for Goldstein and his assistants, an outdoor terrace with dining and kitchen facilities, and a pool and spa.
“We have always approached this project as an evolution of the visual language established by Lautner in the original house. The angular shapes and material palette are closely related, but tailored to the purpose of the new building. It’s been adjusted,” Connor said.
“Raw concrete, pebble-finish slabs, frameless glass, and stainless steel unite the two. But the homely warmth of the house's wood, amber-toned leather, and rose quartz lends itself to a club or an office. It has been replaced with silvery leather and cool blue granite. The concrete board formations of the original house were traditional wide planks, used sparingly, but in the new building as a texture rather than a graphic element. Small interpretable 1.5 inch wide boards are used and can be found on a wider range of surfaces.
He continues: “Applying Lautner's organic philosophy of 'anti-box' to something as linear as a tennis court is an interesting design problem. As the building moves westward and away from the house, you can see that the building begins to protrude from the exterior wall. The office's exposed, frameless glass has been pushed into the space, and the corners of the court have been cut away, allowing the space below to relate more directly to the views of the city beyond.
“As you move to the lower terrace, the geometry begins to collapse further and the structure opens up and becomes more connected to the landscape. The boundaries between architecture, furniture, and environment are blurred throughout.”
Of these areas, Connor + Perry Architects recently worked on the outdoor terrace (including the main staircase, toilets, kitchen and barbecue zone, dining table, locker rooms, and pool with spa), to be completed in 2023. Omnispan Corp. engineer Andrew Nasser, a landscape designer, collaborated with Eric Nagelmann and lighting designer Stephen Lieberman of SJ Lighting.
Conner and Perry embraced the sculptural qualities of Lautner's main residence and worked on the poured concrete space. Stainless steel, frameless glass, custom leather upholstery and blue pearl granite also stand out throughout. A preview room, reception area and guest house are also currently under construction, with more facilities scheduled for completion.
Perry said, “Working next to Lautner's masterpiece is an opportunity to honor his legacy by creating spaces that enrich human life.” Deep respect for his timeless vision. With admiration, we aim to create a harmonious extension that blends seamlessly with nature and embodies his philosophy of organic architecture. ”
Connor continued, “Perhaps the most rewarding and challenging aspect of working on this project over the years was the collaboration with Wright, Lautner, Nicholson, and now our firm, this historic building. “It's probably a sense of responsibility that comes from being connected to the family lineage,” he added. Each practice brings together our collective understanding of what architecture means to fostering a closer connection with nature and the feelings of awe and humility that accompany an indescribable and timeless feeling. We have promoted comprehensive understanding. ”
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